The Perfect Day: October 7, 1966
Back in April,
we time-traveled to April 11, 1966 and spent – or maybe wasted – the entire day
watching television. Six months later, and courtesy of an old issue of TV Guide
(Front cover headline: The Vietnam War: Is TV Giving Us The Picture?) we’re back
in my parent’s living room for 24 hours of television. Today is October 7, 1966.
It’s a Friday, clear skies and temperatures in the low 70s.
6-7 AM: Your
usual educational and religious time-fillers as the networks meet their FCC
requirements. We yawn our way through Education Exchange and Sunrise Semester.
7-8 AM: An
ancient rerun – even by 1966 standards – of My Little Margie is on
Channel 7, before we switch over to Sandy Becker hosting cartoons on Channel 5.
Dancing Bear |
9-10 AM: We’ll
keep it on Channel 11 for this hour. Jack La Lanne is on at 9 and we again
marvel at his tight jumpsuit and ballet slippers. At 9:30, there’s Biography, a
half-hour of flickering newsreel footage of Charles De Gaulle.
10 AM–12:30: A
long dry spell of dusty reruns (Racket Squad, Peter Gunn) and game shows
(Concentration, Supermarket Sweep). At 10:30, and worth checking out, Channel
11 is showing Mack and Myer, a bargain basement Abbott & Costello often
filmed on the streets of New York City.
There is a
programming note in TV Guide that a World Series game could be played this
afternoon if any earlier game was postponed because of bad weather. There would
be no game today and the Baltimore Orioles wrap things up against the Los
Angeles Dodgers on Sunday, the season over on October 9. Today, if all the
playoff series get strung out to their maximum number of games, the season will
end on November 3.
12:30–1 PM: Nothing could have been cornier or less cool than country music in 1966 (Top 40 crossover hit “Flowers on the Wall” by the Statler Brothers notwithstanding), but it’s time for Swingin’ Country on Channel 4, hosted by Roy Clark and Molly Bee. The show only lasted a few months, but marked a cautious start for country music on a major network. In ten years, we’d be besieged with shows hosted by Kenny Rogers, Dolly Parton, Mac Davis, the Mandrell Sisters and Mel Tillis, all of whom were mostly country, veering a bit toward the pop side, and photogenic enough to crack the mainstream.
1–3:30 PM: You
can only avoid the endless sudsy stream of soap operas on weekday afternoons by
trekking through the desert of buzzers, bells and free money: Let’s Make A
Deal, The Newlywed Game, To Tell The Truth, House Party and Password.
3:30–6 PM:
Daytime television phases into its next programming block, kid’s shows, and we
spend the rest of the afternoon with New York City faves Sandy Becker (he
worked a morning and afternoon shift), Chuck McCann, The Three Stooges and
those Japanese science-fiction cartoons that were starting to show up on TV in 1966,
Gigantor and 8th Man, both obviously (and badly) dubbed and featuring a cast of annoying characters.
6–7 PM: For
this hour we move upstairs to my parent’s bedroom where there’s a portable TV
on the dresser that pulls in UHF stations. We play around with the antenna and
bingo, it’s the legendary Disc-O-Teen on Channel 47. Imagine American Bandstand, hosted
by Zacherle, recorded live in a studio in Newark
with real teenagers, not those privileged LA kids on Dick Clark’s show or
the professional (and hardly teenage) dancers on Soul Train. (Amazingly,
Disc-O-Teen footage survives):
7-7:30 PM: It’s Friday, Sub-Mariner day on Channel 9’s Marvel Cartoon Show. (For the record, the rest of the week ran this way: Captain America (Monday), Hulk (Tuesday), Iron Man (Wednesday) and Thor (fittingly on Thursday). Barely animated and with seemingly the same actor and actress providing all the voices, this is the Marvel Cinematic Universe's Steamboat Willie.
7:30-9:30 PM: The Wild, Wild West on Channel 2 at 7:30 always maintained a high standard, stayed true to its original concept (James Bond on horseback) and had exceptional production values. Can’t say the same for The Man From U.N.C.L.E. at 8:30 on Channel 4. This is the show’s third season, when its producers became enamored with Batman (and its high ratings) and gave the show a campy, lighter tone. Boy, it sure didn’t work and the show was nearly cancelled before it got credible again, although the damage was already done. All you need to know about tonight’s episode is that the guest stars are Shelley Berman and Carol Wayne.
9:30-10 PM:
T.H.E. Cat (acronyms were all the rage back then) was a cat burglar whose last name
was also Cat. Everyone remembers the one essential detail (T.H.E. stood for Thomas Hewitt Edward,
our hero’s given names), but nobody can recall actual
episodes – only the image of Robert Loggia as Cat, tossing a hook
tied to a rope over a wall and then scaling it, something that happened every
week. Tonight, Cat “investigates the mysterious knifing of a singer’s press
agent.”
10-10:30 PM:
The three networks are showing Laredo, a Western movie and Twelve O’Clock High.
We’ll pass on all three and go with Mike Douglas, who now has a Friday night show
in addition to afternoons. What he doesn’t have are guests who might make a
Friday night more interesting. Tonight’s top-billed Dr. Joyce Brothers isn’t
going to cut it. Not that it matters because at 10:30 we’re switching over to
Channel 11.
10:30-11 PM:
It’s The Allie Sherman Show, with the embattled New York Giants head coach
looking for silver linings as the team goes head-first down the tubes on its
way to a 1-12-1 record, including a loss to a first-year expansion team and a
defense that will give up 501 points. That’s an average of 35 points a game.
One highlight is Sherman’s inexplicable Southern accent, this from a guy who
grew up in Brooklyn and attended Brooklyn College.
11 PM-6 AM:
Another slog made more difficult because we’re getting sleepy. There’s news and
college football highlights from last weekend. Johnny Carson’s guests are Rose
Marie and Roger Miller. Merv Griffin is somewhere in the mix as well. A couple
of black and white movies from the 40s, none very promising. The last station
to go off the air is CBS at 5:30 a.m.
I need to get
out of here before someone catches me, a full-grown adult nobody knows asleep
on the couch.