The Adventures of Superman: The Stolen Costume
This entry is part of the Favourite TV Show Episode Blogathon hosted by A Shroud Of Thoughts
While mostly remembered today as a
kid’s program, the first season of The Adventures of Superman could be
downright dark and disturbing. I couldn’t have been the only kid watching the
syndicated reruns who was creeped out by the discovery of the dead dog in “The
Deserted Village” or the loony wax museum proprietor who “prophesizes” the
death of several Metropolis civic leaders, then cages them in her basement, in
“Mystery in Wax.”
“The Stolen Costume” was one of
the more memorable stories from that first season, offering some truly noir-ish
elements and an unforgettable ending.
The Metropolis police are baffled
by a burglar who lowers himself by rope into windows. Despite this, Clark Kent
leaves his bedroom window wide open and, with the police in pursuit, the thief
ducks into his apartment, where he stumbles across the greatest secret in the
free world: in a hidden closet, draped on a hangar as if it just came back from
the cleaners, is Superman’s costume.
(One of the more interesting sidebars
in this episode is its view into Clark’s apartment: primly decorated, Felix
Unger-neat and colorless, with the secret closet as the only personal touch).
Fleeing with the costume, the
burglar is shot and finds his way to the front door of Metropolis hood Ace and
his moll Connie (Dan Seymour and Veda Ann Borg). The burglar, whom Ace
recognizes as a local “two-bit punk,” dies on their couch but not before
revealing Clark Kent as the costume’s owner.
His worst nightmare realized, the normally cool and collected Clark is visibly upset, anxiously pacing his apartment. While he can’t say what’s missing, he has a private investigator pal named Candy (Frank Jenks) dust for fingerprints. “What did you have hidden in here, the family jewels?” asks Candy when Clark shows him the secret closet. “No, something a lot more valuable to me,” Clark answers.
Ace needs more solid proof that
Clark is Superman and breaks into his apartment, jimmying the front door this
time – Clark may as well start charging admission – to rig an explosive. Ace’s
logic? If the bomb goes off, Clark will “either be dead, or we’ll be sitting on
top of the world,” a statement that falls well into the category of being
careful what you wish for.
The bomb goes off, Clark is alive
and a meeting with Ace and Connie is arranged. But earlier in the episode
Connie mistook Candy for Clark and when Connie and Ace find him outside
Clark’s apartment house, they take Candy away at gunpoint to their apartment.
Clark sees the three drive off and
instinctively begins to loosen his tie, then stops when he realizes there’s no
costume underneath his street clothes. Moments later, he breaks through Ace and
Connie’s front door, then coldcocks Candy so he won’t hear or see what happens
next. Ace and Connie threaten to divulge Superman’s secret identity. “How are
you going to stop us?” sneers Connie. “Everybody knows Superman doesn’t kill.”
“You’re not going to tell anybody,” says a grim Clark, adding, “put on some
warm clothes.”
Back in his work clothes, Superman
flies Ace and Connie to the summit of a remote, rugged mountain – Ace’s “top of
the world.” Superman tells them there is no way down, but there’s a cabin
nearby they can call home for now. “You’ll have to stay here until I can think
of some way to keep you from talking,” he says before flying off to gather some
supplies.
Certain that Superman has left
them for dead, Ace begins working his way down the mountain. Reaching an icy
ledge, he yells for Connie to follow, telling her, “It’s a cinch.” Well, not if
you’re wearing a dress and heels. Connie slips and takes Ace with her as they
plummet to their deaths.
The episode ends with an obviously
relieved Clark, his secret safe and still well-kept.
“The Stolen Costume” moves along briskly with lots of snappy dialogue
and interaction between the four characters. The script was written by Ben
Peter Freeman, a veteran of the Superman radio show who wrote eight
first-season episodes of The Adventures of Superman, including the
aforementioned “Mystery in Wax” and “The Deserted Village.” Freeman left
Hollywood a year later and changed careers, joining his brother’s construction
company.
With the focus on Clark – Superman
only appears in its final minutes – George Reeves, always appealing and underrated,
gets to bring a bit more emotion than usual and his concern and anxiety feel
real. Another sidebar: Of 104 episodes of The Adventures of Superman, this is
the only one without Lois, Jimmy, Perry or Inspector Henderson.
Reeve’s supporting cast of Dan
Seymour, Veda Ann Borg and Frank Jenks all had long movie and television careers
as character actors. Seymour made a living primarily playing gangsters, most
famously as one of Edward G. Robinson’s henchmen in “Key Largo.” He would hit the TV
Superhero Daily Double 14 years after “The Stolen Costume” with a role in an
episode of Batman.
The ending of “The Stolen Costume”
neatly resolved what looked like a no-win dilemma for Superman, although it left
some ethical and legal questions. Was he planning on holding Ace and Connie
hostage on the mountain forever? Was Superman guilty of kidnapping? Did he
anticipate the crooks would try to climb down the mountain – a nearly
impossible feat – and just looked the other way?
Maybe the last question is the
answer. Superman may have rationalized his actions, or lack of action, this way:
Having my secret identity revealed could jeopardize the lives of my friends,
coworkers, maybe all of Metropolis, and possibly even compromise my mission
here on Earth. If I need to realistically balance the lives of two hoods who
are likely beyond reform or redemption with that of all mankind, this end
justifies the means. Ace and Connie made their choice. My hands are clean.
And with that, Superman finds the
moral wiggle room he needed to keep fighting his never-ending battle for truth,
justice and the American way.
The first season was certainly different from the rest! It could be dark and even violent, as opposed to the more whimsical tone of the later episodes. As I recall, Whitney Ellsworth of DC Comics (who acted as producer during the first season), thought that since the radio show was made for adults, the TV show should be too! Anyway, "The Stolen Costume" is one of the best episodes of the TV show. I love the idea of Superman's costume being stolen! And the episode is executed very well. Anyway, thank you for taking part in the blogathon!
ReplyDeleteI guess the Whitney Ellsworth/Superman radio show connection would explain why Ben Freeman wrote so many of the first episode scripts and that he apparently followed Ellsworth out the door. Anyway, participating in the blogathon was a fun exercise (albeit with a strict deadline hanging over it!)
DeleteI was enthralled every step of the way. The Superman series never came my way but I must try to find and watch this first season. I am intrigued.
ReplyDeleteIf you can track it down, it's worth the effort.
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